Royal Mail reveals stunning new Leonardo da Vinci stamps – the full range

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Royal Mail reveals stunning new Leonardo da Vinci stamps - the full range

Royal Mail reveals stunning new Leonardo da Vinci stamps – the full range

Royal Mail has published what its Leonardo da Vinci stamps will appear to be.  

Widely regarded as certainly one of the biggest artists of all time, the 12 stamps function works from the with the 12 exhibitions, Leonardo da Vinci: A Life in Drawing, happening in 2019 throughout the UK.

Each stamp depicts a drawing from a unique certainly one of the exhibitions. None of Leonardo’s sculptures or constructions continue to exist – and less than 20 of his artwork are left – however a lot of his drawings and sketchbooks had been handed down.

These will shape the centrepiece of the 12 new exhibitions and the new stamp designs.

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It’s now 500 years since Leonardo da Vinci died
(Image: Archive Photos)

Philip Parker from the Royal Mail stated: “500 years after his death, Leonardo’s drawings continue to inspire and intrigue us. We are delighted to feature 12 of the finest examples from the Royal Collection on these stamps.”

You can pre-order the stamps now at  www.royalmail.com/leonardo, whilst they move on basic sale on Wednesday 13 February.

Here are the stamps intimately:

The head of Leda,  c. 1505–08

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Pen and ink over black chalk – Walker Art Gallery, Liverpool 
(Image: PA)

Over the remaining 15 years of his existence, Leonardo labored on a portray of the fable of Leda, appearing the queen of Sparta seduced through the god Jupiter in the guise of a swan.

The portray was once the best valued merchandise in Leonardo’s property at his demise; it later entered the French royal assortment however was once it seems that destroyed round 1700.

In this comic strip, Leonardo expended little effort on Leda’s demure downward look, devoting his consideration as a substitute to the most complex of hairstyles – all through his existence he had a love of private adornment in each hair and garments.

A twig of guelder-rose,  c. 1506–12

gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw== - Royal Mail reveals stunning new Leonardo da Vinci stamps - the full range
Red chalk on orange-crimson ready paper  – Sunderland Museum and Winter Gardens 

A superbly rendered find out about of guelder-rose ( Viburnum opulus ) has been drawn in crimson chalk on paper rubbed all over the place with powdered crimson chalk.

Although it can be hooked up with Leonardo’s Leda and the Swan , it’s way more detailed than important as a find out about for a portray; certainly, it surpasses anything else present in recent herbals.

The leaves are proven curling and sagging, for Leonardo was once now not simply of their form but in addition of their residing shape when topic to the herbal forces of expansion and gravity.

The head of St Philip,  c. 1495

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Black chalk  – Millennium Gallery, Sheffield
(Image: PA)

Leonardo’s biggest finished paintings was once The Last Supper, painted in the refectory of the monastic church of Santa Maria delle Grazie in Milan and now in a ruined state.

The mural displays the response of the disciples to Christ’s announcement of his coming near near betrayal. Few drawings continue to exist of the masses that will have to had been made.

This find out about for the head of St Philip, leaning against Christ in devotion and depression, was once most definitely according to a reside style, however Leonardo has idealised the options, taking them out of the actual international and into the divine.

The cranium sectioned , 1489

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Pen and ink – Ulster Museum, Belfast

Leonardo had little get entry to to human subject matter when he first began to review anatomy.

But in 1489, he acquired a cranium, which he minimize in quite a lot of sections to review its construction. In this drawing, he displays the cranium sawn down the heart, then throughout the entrance of the proper facet.

This superbly lucid presentation, with the two halves juxtaposed, permits the viewer to find the facial cavities in terms of the floor options. Leonardo needed to resolve the proportions of the cranium and the paths of the sensory nerves, believing that they will have to converge at the website of the soul.

Studies of cats ,  c. 1517–18

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Pen and ink – Bristol Museum and Art Gallery
(Image: PA)

Leonardo’s research of dozing cats are amongst his maximum sensitively noticed drawings and will have to had been performed without delay from existence.

His appreciation of the animals’ lithe paperwork had a systematic foundation, for somewhere else on the sheet he wrote: “Of flexion and extension. The lion is the prince of this animal species, because of the flexibility of its spine.”

This means that the drawings have been made in reference to Leonardo’s proposed treatise on “the movements of animals with four feet, among which is man, who likewise in his infancy crawls on all fours”.

A celebrity-of-Bethlehem and different vegetation,  c. 1506–12

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Kelvingrove Art Gallery and Museum – Glasgow
(Image: PA)

Leonardo drew vegetation and vegetation as research for ornamental main points in his artwork and most definitely additionally in the strategy of operating against a scientific treatise on the expansion of vegetation and timber.

His greatest botanical drawings have been achieved for his portray Leda and the Swan, which was once to have a foreground teeming with vegetation and vegetation, thus echoing the fertility inherent in that fable.

The center of attention of this drawing is a clump of megastar-of-Bethlehem (Ornithogalum umbellatum ), whose swirling leaves are observed in research for, and copies of, the misplaced portray.

The anatomy of the shoulder and foot ,  c. 1510–11

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Pen and ink with wash – Southampton City Art Gallery
(Image: PA)

Leonardo was once interested by the mechanism of the shoulder and through how the association of muscle tissue and bones allowed this sort of extensive range of motion.

Here he analyses the shoulder and arm in a sequence of drawings at revolutionary states of dissection. He starts at higher proper with the muscle tissue intact after which lifts away person muscle tissue, reminiscent of the deltoid and biceps, to show the buildings beneath.

At decrease proper, Leonardo demonstrates the articulation of the ankle with the tibia and fibula lifted clear of the foot.

The head of a bearded guy,  c. 1517–18

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Black chalk  – Derby Museum and Art Gallery
(Image: PA)

Leonardo was once interested by the male profile, each the divinely gorgeous and the hideously ugly.

Such heads are discovered all through his paintings, from artwork reminiscent of The Last Supper to fast doodles in the margins of his drawings.

Towards the finish of his existence, Leonardo made many in moderation completed drawings of classical profiles, workout routines in shape and draughtsmanship merely for his personal pleasure.

Their options – reminiscent of the dense mat of curly hair observed right here – have been impressed through historical cash and medals of Roman emperors.

The skeleton,  c. 1510–11

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Pen and ink with wash – Amgueddfa Cymru/National Museum Wales, Cardiff 
(Image: PA)

Leonardo’s maximum good anatomical research have been carried out in the iciness of 1510–11, when he was once it seems that operating in the clinical college of the college of Pavia, close to Milan.

He can have dissected as much as 20 human our bodies at the moment, focusing on the mechanisms of the bones and muscle tissue.

This is his maximum whole illustration of a skeleton, observed from entrance, facet and again in the method of an architectural drawing.

Leonardo aimed to collect an illustrated treatise on human anatomy, however his research remained unpublished at his demise.

A lady in a panorama,  c. 1517–18

gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw== - Royal Mail reveals stunning new Leonardo da Vinci stamps - the full range
Black chalk – Manchester Art Gallery
(Image: PA)

Two of Leonardo’s favorite units – a mysterious smile and a pointing hand – are blended on this airy drawing.

It displays a girl status in a rocky, watery panorama, smiling at us whilst gesturing into the distance, her palms collecting her material to her breast.

The maximum believable clarification is that that is the maiden Matelda collecting vegetation, as she seems to Dante on the a long way facet of a flow in Purgatory, the 2d e-book of his Divine Comedy. However, the goal of the drawing is unknown.

A design for an equestrian monument,  c. 1485–88

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Silverpoint on blue ready paper – Leeds Art Gallery 
(Image: PA)

Ludovico Sforza, ruler of Milan, commissioned Leonardo to execute a bronze equestrian monument, neatly over existence dimension, to his father, Francesco.

Leonardo’s early research display Francesco on a rearing horse over a fallen foe. Over the subsequent 5 years, Leonardo constructed a full-sized clay style of the horse and ready a mildew for the casting – an enormous technical problem.

But in 1494, Ludovico requisitioned the 75 tonnes of bronze for the forged to make cannon, and the monument was once by no means completed. Invading French troops used the clay style for goal follow, destroying it.

The fall of sunshine on a face ,  c. 1488

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Pen and ink – Birmingham Museum and Art Gallery 
(Image: PA)

During the 1480s, Leonardo started to collect subject matter against a treatise on the concept of portray.

His personal artwork, reminiscent of the Mona Lisa, have been famous even in his personal day for his or her subtle remedy of shadows, and right here he units out the geometrical ideas of sunshine and coloration.

The diagram and notes (in replicate writing) provide an explanation for that the place the mild falls at proper angles on the face, the face will likely be maximum strongly illuminated; the place it falls at a shallow attitude, the face will likely be much less strongly lit; and the place no mild is won, beneath the nostril and chin, the floor will likely be totally darkish.

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