Review: ‘Five Feet Apart’ elevates the sick teen genre with a poignant love story
The script is a very Hollywood-ized teen romance, with some over-the-top moments to ramp up the stakes, but the movie stays grounded in the realities of the illness. Most importantly, “Five Feet Apart” has a actual voice, and a perspective, and there’s no higher actor than the ebullient Richardson to embrace the angle Wineland stood for. Richardson can do absolutely anything, and her efficiency in “Five Feet Apart” demonstrates a new intensity to her vary. She brings a figuring out soulfulness to each and every facet of Stella’s adventure, from her grief and rage, to the approach she reluctantly we could herself fall for Will. Sprouse, in addition to Moises Arias, who performs her easiest good friend, Poe, any other affected person, upward thrust to her degree. It’s particularly pleasing to observe Sprouse change into from a snarky, too-cool-for-school CF affected person to a younger guy who in the end has hope and a few pores and skin in the sport, if no longer for himself, then for her.